Trailer edited by Sophia Mai Wolfe
Music by Gonu Kim (xxiv / Chimerik 似不像)

A compilation of 30+ FORMations videos shared by our community of movers on Instagram between September 8-10 - edited by Tamar Tabori

F-O-R-M took place in the digital space for a second year in 2021, co-presented by SFU Woodwards’s Cultural Programs.

The festival featured movement-based films by youth and emerging artists, sharing exciting expressions and intersections of movement and film that embody community and culture. F-O-R-M 2021 included 20 short films from around the world, 9 world premiere short films from our 2021 Commissioned Artists, as well as artist talks, workshops, technology and interaction, and our signature FORMations filmmaking jam.

visual design by flory huang


Commissioned Artists

Youth Category

Sevrin Emnacen-Boyd - AION

AION refers to a concept developed by the philosopher Gilles Deleuze which denotes "the indefinite time of the event, the floating line that knows only speeds and continually divides that which transpires into an already-there that is at the same time not-yet-here, a simultaneous too-late and too-early". It refers to a time-sense that is outside of Chronos or the chronological, linear, everyday measure of time which both organizes and is organized by "normality". These twin concepts demonstrate that time is anything but neutral, and that it organizes our perception of reality and our visions of the future.

The film AION plays with the conceptual disruption of Chronos by molding together both forward and reversed movement while creating an ulterior continuity between night and day. It is a dance that refuses the constructed time-sense of the everyday, one that is instilled in us by capital and has remained mostly imperceptible for many until COVID-19. As we edge closer to normality, AION serves to remind the viewer of the possibility of constructing time and ultimately our lives outside of "the normal" that drove us here in the first place.

AION was co-commissioned by Co.ERASGA + Tara Cheyenne Performance

  • Sevrin “Sevi” Emnacen-Boyd is a half-filipino b-boy and experimental street dancer. Seeking to emulate the wild creativity emerging from the growing Vancouver street dance scene, Sevi’s style has become attuned to musical details and bizarre movements uncommonly explored in breaking. Sevi is majoring in philosophy, hoping to construct bridges between street dance and the oeuvre of 20th century continental philosophy. Sevi has represented Vancouver at various international street dance competitions ranging from Amsterdam to Tokyo. He is an active member of the Now Or Never Crew, Scndrlz, Immigrant Lessons, and Think Twice Japan.

    Mentor: Mark Valino


Alger Liang 梁家傑 - motherland

when the body is broken
and continues to walk without
pause,

it mourns for stillness.

the body makes ground
and wounds open
again and again
and again
and again.

at this moment,
somewhere in the world,

bees return to hives
birds to nests
tides to shore

and one day,
my body comes home.

In motherland, a grieving boy moves through liminal spaces, queering time as he simultaneously embodies the past, present, and future.

to view this film, Please email tamar@f-o-r-m.ca for the password.

  • Alger Ji-Liang 梁家傑 (he/him) is an emerging filmmaker, interdisciplinary artist, and Canadian national team racewalk athlete based in Vancouver, BC on the unceded territories of the Squamish, Tsleil-Waututh, and Musqueam peoples. Alger situates the body as the centre of research and uses a lens-based practice to speak on identity, memory, and space. Recently, he has been exploring mental health, grief, and queer diaspora identity through video, performance, and experimental sound. He is currently completing his BA in visual arts and Asian Canadian and Asian migration studies at the University of British Columbia.

    Mentors: Nancy Lee + Ying Wang


Danielle Mackenzie Long - Shouldering Intervals of Desire

Universally sharing the exact sensation of time passing is impossible. Days of extreme chaos may seem to exist for a mere second, while a single moment of stillness can feel bottomless, never ending.

Be content with moments of quietness. Allow yourself to observe the mundanity you see for the minutes that pass over you. Slowly, SHOULDERING INTERVALS OF DESIRE reveals itself as a visual vault depicting the accumulation of my many aspirations, which have all been influenced by the relationship I hold between time and life. As circumstances in my life change, my relationship to time shifts drastically, as do my ambitions and desires. Some have become irrelevant because that desire’s lifespan has run out. Either I have simply outgrown the idea of it, or I convinced myself it is no longer of interest to me since I care too deeply about it to bear the thought of not being able to reach it.

Surrounded by an abundance of options, the extreme ambition to pursue many paths, and the overwhelming reality of having to make decision after decision I shift between existing in reality with my thoughts to the courtroom of my mind

Trying to wait. No rushing.
Debating between ideal scenarios
Negotiating among myself
Confronting my wildest aspirations
Pursuing it unapologetically

There will be many turning points to come in my life. SHOULDERING INTERVALS OF DESIRE is merely how I am navigating the current moment of great change and decision I face.

SHOULDERING INTERVALS OF DESIRE was co-commissioned by New Works

  • Danielle Mackenzie Long, a queer emerging contemporary dance artist and self-taught filmmaker, resides on the stolen and unceded territories of the Musqueam, Squamish, and Tsleil-Waututh Nations (Vancouver). Captivated by the ideas of childhood memories, her upbringing in the Okanagan has greatly contributed to her fascination of exploring identity and perception of self. Upon graduating from Modus Operandi Contemporary Dance Program Danielle will be continuing to expand her practice as she begins studies in Film Production at the University of British Columbia in the fall. Her past film works have been presented internationally with Birmingham International Dance Festival, and within Canada at Digit Carnival Z, Capsule, F-O-R-M, and Screen:Moves.

    Mentors: Justine A. Chambers + Sammy Chien


Amanda Sum + Justin Calvadores - Wide Stance Dance

In WIDE STANCE DANCE, two Asian-Canadians confront their internalized smallness, and finally learn to take up space through humour, dance, and wide stances.

WIDE STANCE DANCE was co-commissioned by Company 605

  • Amanda Sum is a performer and creator based in Vancouver, on the unceded territories of the Musqueam, Squamish, and Tsleil-Waututh Nations. She dances between music and theatre, and strives to create work that dips between disciplines. Her debut singles, Groupthink and Mary Shelley were released in the fall of 2020. The Permanent Rain Press described Amanda's "quirky indie pop" as having "the perfect amount of wit and tact". She is currently working with producer Emily Millard in developing her debut full-length album. Amanda created a “concert in construction paper form” as a commission for Theatre Replacement and Company 605’s 2021 PushOFF Festival. This pop-up book performance piece, New Age Attitudes: Live in Concert, was presented locally and internationally, with books travelling by mail to Ireland and Sweden. Recent theatre credits include do you want what i have got? a craigslist cantata (The Cultch), Panto Come Home! and East Van Panto: Pinocchio (Theatre Replacement), and Chicken Girl (rice&beans). She was the Georgia Straight's 2018 Fall Arts Preview featured theatre artist. Amanda also has extensive training in tap dance, and has taught students from beginner to advanced. She was recently invited to speak at See Sounds Listening Party about her current practice of informing pop melodies and lyrics through improvisational tap rhythms and movement. Amanda aims to champion other under-represented artists through her work, making her opportunities collective ones. Amanda holds a BFA from Simon Fraser University.

    Mentor: Nancy Lee

  • Justin Calvadores is a freelance dance artist based in Vancouver BC, the lands of the Squamish, Tsleil-Waututh, and Musqueam First Nations. They are a second generation Filipinx Canadian who is gender fluid and queer. Born and raised on Treaty No.1 Territory they began their dance training in high school doing hip hop, jazz, modern and ballet. During their latter years of high school, Justin trained classically at the Royal Winnipeg Ballet. They completed their formal dance education in Vancouver, BC receiving a Contemporary Dance Diploma at Arts Umbrella. In 2017, they joined Ballet BC as an emerging artist under the direction of Emily Molnar and performed various works on the Queen Elizabeth stage. Additionally they toured internationally and performed a triple bill on stages such as Sadler Wells and the Autostadt Theatre in Wolfsburg, Germany for the Movimentos Dance Festival. During the 2019/2020 season Justin joined the contemporary dance company, Ballet Edmonton, under the direction of Wen Wei Wang and Karissa Berry. Currently they have returned to Vancouver and are reconnecting to their journey as an independent artist. They have been in creation and performed with companies such as Mile Zero Dance, Inverso Productions, Wen Wei Dance, FakeKnot and Dumb Instrument Dance.

    Mentor: Nancy Lee


Siam Obregón + Kyana Lyne - Roca Morena

ROCA MORENA: Under the tutelage of the Moon, a rock woke up and began to dance.
Bajo la tutela de la luna, una roca despertó y se puso a bailar.

ROCA MORENA was co-commissioned by Wild Mint Arts

to view this film, Please email tamar@f-o-r-m.ca for the password.

  • Siam Obregón is a Mexican Independent Filmmaker and Creative Director based in Montreal, Quebec. In 2020, she completed her BFA with a Specialization in Film Production at Concordia University. As a filmmaker, her work focuses on observation, the intimate, and themes of cultural identity. Her latest work, JONTAE, a hybrid experimental-dance and documentary film, won the Coup de Coeur Award at the Festival Quartier Danses and has been featured at multiple festivals including Hot Docs and REGARD.

    Mentors: Philip Szporer + Marlene Millar + Wild Mint Arts

  • Kyana Lyne is a contemporary dance artist and choreographer based in Montreal, Qc. Inspired by her Indigenous heritage, her works traverse mind-body philosophy and the conscious individual through raw somatic reflections surrounding notions of identity. Most recently, Kyana’s choreography won the Coup de Coeur award for her latest dance film, Jontae, premiered and produced by Festival Quartiers Danses 2020. Its continued presentation has extended at the Screen.Dance Festival 2020 in Scotland, Hot Docs Film Festival and will be screened at Regard Film Festival in June 2021.

    Mentors: Philip Szporer + Marlene Millar + Wild Mint Arts


Cindy Ansah

Cindy Ansah is a dancer, choreographer, instructor, actress, writer and filmmaker playing, creating and collaborating in Mohkínstsis on Treaty 7 Territory (colonially known as Calgary). Her choreography has been presented in the Quick + Dirty Festival, IGNITE! Festival for Emerging Artists and Fluid Festival with her written work featured on The Dance Current, Springboard Performance and Alberta Dance Alliance. As a multi-hyphenate artist and recent graduate of the University of Calgary BFA in Dance degree, Cindy’s current aspirations are to nurture her artistic curiosity through multidisciplinary collaboration.

 

Emerging Category

Sophie Dow - Mountain Duets

MOUNTAIN DUETS is a circular ritual illustrated through movement. We follow an individual that falls into a chaotic haze, losing sight of balance and stillness. This solo mover is a symbol of both independent and collective consciousness. They’re a representation of all we go through on micro and macro scales; testament to the cycles of the building, tearing down and rebuilding of humanity. From the dark place, the individual calls upon ancestral archetypes and wisdom of Turtle Island to journey together - a moving alliance, between human and internal mountain - reminding us of our deeply rooted strength, resilience and reciprocity to each other and Mother Earth.

MOUNTAIN DUETS was co-commissioned by Wild Mint Arts

  • Winnipeg-born Sophie Dow is a multidisciplinary creative, inspired by dance, music, collaboration and Métis-Assiniboine and settler roots. An avid adventurer, Sophie has a passion for busking, yoga and traveling on top of holding a degree in Dance Performance and Choreography. With a unique list of credits deeply impacting personal process and vocabulary, Sophie’s had the great fortune of working with some of Turtle Island’s wonderful dance innovators, including Chimera Dance Theatre and Kaeja d'Dance. Presently Sophie is Artistic Associate of Chimera Dance Theatre, writes music with The Honeycomb Flyers and is a licensed practitioner of Traditional Thai Massage.

    Mentors: Aria Evans + Wild Mint Arts


Sebastian Hill-Esbrand - Booty Freedom

BOOTY FREEDOM is a dance community that celebrates self-expression through booty movement and dance. We follow the journey of Rozelle, a BOOTY FREEDOM frequentist, who must navigate through the rooms of the Booty House to discover her authentic self. The film is told with an inclusive and intersectional lens that decentralizes the male gaze; resulting in an empowered and liberated portrayal of the womxn within the community.

  • Sebastian is a filmmaker working within the documentary and commercial space.

    Growing up as a first generation New Zealand/American in Australia, with Caribbean roots, he has learnt that there is power in diversity, as well as an importance of having intersectionality portrayed on screen.

    He believes filmmaking has the potential to shine a light on heroic role models, which is exactly what the world needs right now.


Emma Morris - Baby Teeth

"so I named the creature Loss and named the home ______
"

BABY TEETH witnesses a woman navigating abstracted memories of loss through physical manifestations. Using contemporary dance, the woman explores contrasting landscapes in a dream-like reality of grief. As she invites fragmented memories to the surface, they come to life, allowing her to dance with her recollections. Accompanied by a cello soundscape, BABY TEETH is a glimpse into the journey of making peace with the past, dancing alone with loss, and finding repose in the water.

  • Emma Morris is a storyteller who works within contemporary dance, poetry, and film to craft surreal encounters inspired by abstracting her personal history. She works to re-imagine how movement can express memory, surprise, connect, and expose the underbelly of the human experience. Emma is a graduate of the contemporary dance program at Concordia University, (2017), and also completed the Artistic Business Lab for Choreographers through La Fabrique de la Danse in Paris France, (2019). She now creates between Montreal and Toronto. Most recently you can read Emma’s poem, "The Reciting Body" in The Dance Current, (Summer 2021 issue.)



    Mentor: Francesca Chudnoff


Mirusha Yogarajah - மனசாட்சி (HEART IS A WITNESS)

In மனசாட்சி (HEART IS A WITNESS), a young boy looks for love from his older self, while seeking sanctuary in nature.

  • Mirusha aims to showcase the multifaceted experiences of being a person on the margins and the delicate and intimate experiences they host alongside survival. Their works have been produced by National Film Board of Canada, premiered at the 2020 Inside Out Film Festival, 2020 Regent Park Film Festival, and is set to premiere at the 2021 F-O-R-M Film Festival. They were selected for the Emerging 20 program through Reelworld Film Festival, which selects and trains 20 emerging BIPOC filmmakers in Canada. They were selected for the Regent Park Film Festival Emerging Directors’ Spotlight. They received their Masters of Public Policy degree from the University of Toronto in 2019 and before that, they double-majored in Ethnic Studies, Political Science, and Liberal Arts Honours.

    Mentor: Kalainithan Kalaichelvan


ARTIST MENTORS


Technology and Interaction Artist

Daria Mikhaylyuk

F-O-R-M 2021 featured the Opening of the Venus Art Gallery, curated by Daria Mikhaylyuk. Read about technology and interaction throughout F-O-R-M’s history here.

Festival Events

Festival Screenings


Our Supporters

We are incredibly grateful for the support we’ve received from funders, partners, sponsors, and individual donors—without them, F-O-R-M 2021 would not have been possible. F-O-R-M 2021 was supported by:

Studio Support for Commissioned Artists

Atelier254 and Chapel Sound Art Foundation
Future Leisure (45W and Gold Saucer)
Hop Bop Shop
What Lab