To do something “under your own steam” is to take your journey into your own hands. These films all have a level of innate independence, embodying the joys and hardships of uncovering the meaning behind one's own identity.
This screening will be followed by a pre-recorded artist talk facilitated by Lexi Mellish Mingo.
Irfan Setiawan
DURATION: 4:00
This work is inspired by the ancient Malay speech literature of Bangka "Bedaek". The contents of the "Daek" have many meanings, messages of wills, and criticism. The existence of this speech inheritance is like metaphysical dimensions that are again confronted with the realities of humanity, the universe, and the spirit in the present.
IN SPIRIT, IN REALITY explores ancient speech reasoning through the perspective of motion, metaphor, and even presupposition of events. This work is like reading The Times amidst the variety of events as humans move quickly to heed utopia and are uprooted from their human principles.
CREDITS
Directors, Cinematographers: Way Gaw, Gothe, Agung Exora
Choreographer: Irfan Setiawan
Performer: Irfan Setiawan
Editor: Way Gaw
Music: EWA, Sunarya Ley
Vocals: Sunarya Ley
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Tanveer Alam
DURATION: 6:02
LEHER, which translates to “Waves” in Urdu, is inspired by a phrase that was very often used by my guru Sandhya Desai in my early years of training — Kathak is like a river, it flows…
This short work takes a minimalistic approach to Kathak, and explores the anatomical specificities of the spine in relation to the Kathak technique. The poetic lines sung in the music refer to a river and its movements. Parallels are drawn between the spine and the river: both flowing, expansive, and contained.
CREDITS
Choreographer, Performer: Tanveer Alam
Videographer, Projections: Robert Kingsbury
Co-Editors: Tanveer Alam, Robert Kingsbury
Dramaturg: Harikishan S. Nair
Music: Gurumurthy Vaidya
Commissioned by CanAsian Dance for their 2021 Grit: Short Dances program.
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B Gosse + Jason Vu
DURATION: 8:13
PRINCESS portraits a resolving of identity for non-binary Vietnamese-American dancer Jason Vu as they revisit memories of desire from their childhood. A work of radical softness, it pleads with us to investigate our most intimate truths. What if yearning is wound up? How quickly it unfolds, exposes us, confronts us with little sense of shame. PRINCESS is both a celebration of uninhibited queerness and a reckoning with its violent history. If trauma is trapped in the body, what happens when it bursts out from the inside? Can we then ask the body to sift and separate fear from desire? Embodying past, present, and future, PRINCESS recalls that freedom appears in the unknown, that sanctuary is not a place, but an action of remembering.
CREDITS
Directors: Jason Vu, B Gosse
Choreographer, Performer: Jason Vu
Cinematographer: B Gosse
Camera Assistance: Ze Jucutan
Editor: B Gosse
Production Support: Unicorns&Unicorns
Composer: Amanda Yamate
Sound Mixer: Romain Sturma
Voice Over Engineer: Theresa Vu
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Siam Obregón + Kyana Lyne
DURATION: 7:46
Faced by the global pandemic and race crisis, a performer dedicates a moment for personal catharsis through movement.
CREDITS
Co-Directors: Siam Obregón, Kyana Lyne
Choreographer: Kyana Lyne
Performer: Jontae McCrory
Director of Photography: Steven Turcotte
Editor, Writer: Siam Obregón
Camera Operator: Ben Gauthier
1st Assistant Camera: Lawrence Labeau
Gaffer: Luna Gautier
Grips: Evangelos Desborough, Alexandre Nour Desjardins
Production Manager: Mérédith Gonzalez-Bayard
Sound Designer: Paloma Daris Becotte
Singer: Stella Adjokê
Commissioned by Festival Quartiers Danses
Accessibility
This event will be live-streamed via Vimeo. Films that include spoken words will have subtitles in English. The prerecorded artist talk will have closed captions.
- Posted in Film Screening, Shorts
- Tagged Online Event, Vimeo Live-Stream, Passholder Event
Shion Skye Carter
DURATION: 5:27
FLOW TIDE is a short film by dance artist Shion Skye Carter and Japanese calligraphy artist Kisyuu. Created at home during the COVID-19 pandemic, the artists explore the intrinsic relationship between dance and the centuries-old tradition of calligraphy. Shion embodies the movement of the calligraphy brush with the sensation of the liquid ink flowing through her body, while Kisyuu’s dance takes place through her brush. Each brushstroke adds a call to which the dancer responds; this abstract conversation becomes a representation of Kisyuu and Shion’s connections to their Japanese roots, to their art forms, and to one another.
CREDITS
Directors, Performers: Shion Skye Carter, Kisyuu
Cinematographer: Stefan Nazarevich
Editor: Shion Skye Carter
Music: Stefan Nazarevich