Explore the 2023 film line-up
Skip to: Opening Night - Frames in Motion, Embodied Extensions, Mini Commissions Screening, Public Screens, Closing Night - Commissioned Artists’ World Premieres
Opening Night - Frames in Motion - Live Talkback Facilitated by Chiara Lucchetta
Saturday, November 4 @ 7 - 9 PM PDT
SFU Woodwards + Digital Library
Our opening screening is an homage to the various ways movement is expressed, observed, and experienced in film.
Movement in film goes beyond mere action; it captures an emotional journey, the play of light and shadow, a fleeting glance, the subtlest of gestures. Join us to witness works where artists push and reshape boundaries, both within the body and beyond. Here, we explore the impact of motion, encompassing the tangible and the intangible, as we question and redefine the very essence of what it means to move in film.
Kat Castro
Duration: 5:17
Humans are like existential onions. There are many layers to uncover, hence the title name, Undertones. The project is an experimental movement film that focuses on the relationship between the underlying layers of architecture, music & sound, and the movement artists. It plays with themes of curiosity, tension, connection, and release. Through movement, it explores how personal experiences and emotions are not only affected by other individuals, but also by the elements in the environment that surrounds us. The relationship is cyclical in nature and as the cycle repeats, we gain more awareness within and outside ourselves.
Director, Editor: Kat Castro
Movement Artists: Jayson Collantes, Kosi Eze, Frances Antoinette Honoridez
Music Producer: Doomgurl / Mandy Sanchez Cruz
Colourist: Jerick Collantes
Ella Saini
Duration: 7:16
This poetic documentary explores the impact of gentrification in Scarborough. It features three Scarborough residents who share their personal memories and reflect on the changes they have witnessed over the last 5-10 years in their neighbourhoods. Through their stories and scrapbook imagery, UNHOME explores the pain of nostalgia in the face of a lost community.
Director: Ella Saini
Producer: Reese Barrow
Cinematographer: Tarneem Allati
1st AC: Emma Kutlesa
Sound Recordist: Gwen Farbridge
Picture Editors: Vanessa Fajek and Justin Cao
Sound Designer: Gwen Farbridge
VFX: Vanessa Solivio and Ella Saini
Colourist: Tarneem Allati
Composer: Daniel Little
Axel Robin
Duration: 9:38
A film crew is preparing to shoot a scene in a colourful studio. As the filming goes, their gestures gradually slip into dancing, revealing the beautiful choreography of film sets.
Director: Axel Robin
Choreographer: Laurence Wells
Music composer: Louis Parent
Cinematographer: Léa Barsalou
Production designer: Éloïse Carpintero
Production manager: Louis-Emmanuel Gagné-Brochu
Niya Abdullahi
Duration: 4:48
IN THE WHITENESS is a poetic exploration of identity through the eyes of a Harari woman, displaced via war, now living in "Canada". She uses poetry and movement as a meditative method of reconnecting with her roots and in doing so, establishes a magical bond with her ancestors.
Director, Writer, Producer: Niya Ahmed Abdullahi
Editor: Sonya Mwambu
Cinematographer: Riv Mendis
Andreas Antonopulos
Duration: 12:00
Fragments is a collaboration project between filmmaker Andreas Antonopoulos and choreographer Deboleena Paul. The film explores the movement and architecture of Trinidad and Tobago in a historical context.
Director: Andreas Antonopoulos, Depoleena Paul
Choreographer: Deboleena Paul
Cinematographer, Editor: Andreas Antonopoulos
Music: Khion De Laz
Dancers: Christie Millette, Giselle Pascall, Kdissa Davis, Marquise Brow, Natalia Williams, Okia Brathwaite, Quisha Christopher Davis, Steve Ghany
Dédé Chen
Duration: 10:53
A Sino-Canadian adoptee breaks the silence of incest by responding to her family archives through dance. In the ritual sacrifice of a papaya, she reenacts her traumatic past to emancipate her adult self.
Director: Dédé Chen
Productor: Toronto Reel Asian Film Festival
Dancer: Meihan Carrier-Brisson
Director of Photography: Laurence Ly
Director of Animation: Fanny Lord-Bourcier
Director of Sound: Chittakone Baccam Thirakul
Set Designer: Gong Li
Art Designer: Emmanuelle GP
Cinematography collaborator: Corinne Jiao-Yuntao Beaumier
Voice collaborator: Cynthia Wu-Maheux
Photographer: Ange Guo
Eric Cheung (Canada) EMERGING
World Premiere
Duration: 4:26
Set in a neo-noir-inspired landscape, the narrative follows Eric's never-ending journey and obsession with the infinite as a source of meaning. Eric portrays his internal conflict through choreographic distorted, repetitive, and looping movements. As he progresses through the real world, he gradually transforms and merges with the environment around him until he reaches a perceived infinity. At this point, Eric transcends into a 3D virtual world. A vacuum of space where time does not exist, where he sees glimpses from his past, present, and future. Eric then leaves this virtual space back to reality, beginning a new cycle. Ultimately leading to the end of the film's beginning - an infinite loop.
Film Director, Editor: Alim Sabir
Choreographer, Dance Artist: Eric Cheung
Creative Director: Sebastian Palencia
Director of Photography: Brad Stuckel
Producer: Pique Production
Music Composer: Mathew Tomkinson
Assistant Director: Michael Falco
Gaffer: Artur Vetstein
Steadicam: Miha Matevzik
1st AC: Teo Weyman
2nd AC: Ben Smallz
VFX: Luke Bellissimo
Swing(s): Carson Lower, Brian Gregory, Kurtis Watson
DMT: Ben Smallz
PA: David Falco, Catrina Chen, Jack Peros
Production Designer: Sam Sziget
Costume: Acronym
Hadi Moussally
Duration: 4:55
Hadi’s birthday landed on the 3rd of April, 2020, during lockdown, and for the first time he celebrated it all by himself.
Film shot in lockdown.
Director: Hadi Moussally
Music: "Bellydance Vogue" by Hadi Zeidan
Producer: h7o7
Director of Photography, Post-Production: Olivier Pagny
Gabriella Engdahl
Duration: 2:58
SILK PAPER AND BRUISES is an experimental dance film exploring norms, expectations, and body ideals within the contemporary dance industry. The film, made in stop motion, takes the audience on a poetic journey among colourful changing rooms, untouched sandwiches, and broken bodies. Through Barbie dolls in the lead roles, the film depicts how women's bodies are represented, presented, and talked about.
Director, Cinematographer, Designer, Writer: Gabriella Engdahl
Composer: Maria Rojas Gomez
Voice Actress: Ciara Amas
Camera assistant: Peter Lundhall Ortiz
Dustin Chok
Duration: 8:56
House music is widely recognized in popular culture, though its roots tend to be overlooked. Legendary House dancer Future shares stories of his decades-long experience in the sub-culture. His journey from dancer to teacher is achieved through his mentorship with Edmonton House dancer Sekou Sonko-Boisclair. Together, they weave a wonderful mosaic of body movements alongside thumping house beats. The pair, tagging in and out during the invigorating dance sequences, is a sight to behold.
A beautiful and poetic sharing of House dance knowledge between generations, almost a passing of the torch to ensure that the culture lives on.
Directory: Dustin Chok
Primary Dancer: Daniel E "Future" Kelley III
Primary Dancer: Sekou Sonko-Boisclair
Cinematographer: Colin Waugh
Editor: Dustin Chok
Music: Oveous + Don Kamares
Jessie Huggett
Duration: 13:22
Insight Out is a choreopoem about identities—it was a collaborative process in words and movement and the music is our voices and silence. A collaborative creation in words and movement choreographed by Jess Huggett with Robert Chartier, Elizabeth Emond-Stevenson, Rachel Gray, Moni Hoffman, Dylan Phillips, Maureen Shea, Renata Soutter, Shara Weaver, Elizabeth Winkelaar, and Russell Winkelaar. Creative consultants: Rachel Gray (text), Maureen Shea (movement), Bryce Morison (smudging music), and Elizabeth Emond-Stevenson (rehearsal director and support). Audio editing by Rachel Gray. Video editing and closed captioning by Matthieu Hallé. Insight Out was created through Propeller Dance’s Emerging Choreographers Program under the mentorship of Shara Weaver. Jess Huggett gratefully acknowledges the financial support of the City of Ottawa.
A collaborative creation in words and movement choreographed by Jessie Huggett through Propeller Dance’s Emerging Choreographers Program under the mentorship of Shara Weaver and with financial support from the City of Ottawa.
Choreographer, Director: Jess Huggett
Dancers, Collaborators: Robert Chartier, Elizabeth Emond-Stevenson, Rachel Gray, Moni Hoffman, Dylan Phillips, Maureen Shea, Renata Soutter, Shara Weaver, Elizabeth Winkelaar, and Russell Winkelaar
Creative Consultants: Rachel Gray (text), Maureen Shea (movement), Bryce Morison (smudging music), and Elizabeth Emond-Stevenson (rehearsal director and support)
Audio Editor: Rachel Gray
Video Editor, Closed Captioning: Matthieu Hallé
Rosie Choo Pidcock
Duration: 3:51
Five Chinese Canadians return to their elementary school to reclaim their names through dance.
Starring: Kallie Hu 胡家贤, Jennifer Tong 唐沛玲, Johnny Wu 吳光翔, Katrina Teitz 嘉敏, Alger Liang 梁家傑
Writer, Director: Rosie Choo Pidcock 朱薇颖
Producer: Jasmin Wanzheng Lyu 呂宛錚
Director of Photography: Belen Garcia
Editor: Evelyn Starks
Composer: Eimear MacCarrick
Sound Designer: Kyle Cashen
Colourist: Cam McCutcheon
Embodied Extensions: A Relaxed Screening of Extended Shorts
Thursday, November 16 @ 7pm - 8:30pm PST
The Polygon Gallery + Digital Library
Using multiple approaches to embodied storytelling, from animation to poetry to theatrical dance breaks, these films address varied questions of access (to resources, to safety, to community) and how they intersect and influence each filmmaker's approach to moving through the world on a daily basis.
Leonardo Martinelli
Duration: 20:00
A delivery man dreams of having a motorcycle. He was told that everything would be like a musical film.
Director, Writer: Leonardo Martinelli
Producer: Ayssa Yamaguti Norek, Leonardo Martinelli, Rafael Teixeira
Starring: Dennis Pinheiro, Silvero Pereira
Cinematographer: Felipe Quintelas
Editor: Lobo Mauro
Music: Ayssa Yamaguti Norek, Carol Maia, José Miguel Brasil, Leonardo Martinelli
Choreographer: Soraya Bastos
Brandon Wint
Duration: 27:48
MY BODY IS A POEM/THE WORLD MAKES WITH ME is a personal documentary about belonging, familial love and Canadian colonial histories by director and poet Brandon Wint. At the intersection of Blackness and disability, the film is an artistic kaleidoscope composed of animation,illustration, poetry, and photography bending genres and flirting with experimentalism. With a colourful soundscape and cinematography to match, Wint’s directorial debut floats off the screen and echos as a defiant, assured visual language. The film also depicts some of the beauty and difficulty of life in the Canadian prairies, as histories of racism and ableism mix with the beauty of the land, and the resolve of racialized communities to create a life that is at once brutal and beautiful, joyful and rugged for Black Canadians.
Director, Writer, Performer: Brandon Wint
Editor, Motion Designer: Noah Lefevre
Music production, Mixing, Mastering and Arrangement: Brian Raine
Cinematography: Caelin Moore, Brian Raine
Special Thanks: Titilope Sonuga, Matthew James Weigel, Edmonton Heritage Council
Mini Commissions Screening - in Partnership with ArtStarts
Friday, November 17 @ 6pm - 7:30pm PST
SFU Woodwards + Digital Library
In partnership with ArtsStarts, we are beyond excited to host an in-person screening event for our Mini Commissions Program (for the first time ever!). Join our community as we gather, watch, and celebrate 9 brand new short films from young artists across Canada in each other’s presence. A pre-recorded talkback featuring this year’s 2023 Mini Commissions cohort will follow the screening, giving audiences insight into how their films came together.
Ryan Iwanaka
My concept for the whole video was to dance to a frequency because they sound like music to me and move my body in a very authentic way that feels so free. I chose the frequency 528 which actually heals the body's cells on a physical level as well as reducing stress and anxiety, enhances mental clarity and focus, and balances chakra centers. The journey I had making this film was one full of hustle, anxiety, fear, and love.
Danced, Directed, and Edited by Ryan Iwanaka
Filmed by Kelly Carbray
Special thank you to @foodbabysoul and @ziadalymounib
@konozco for the beautiful mural I danced in front of (in Bushwick, Brooklyn)
Featuring Art from The American Museum of Natural History (in New York, 2023) This film was made possible through F-O-R-M’s Co-Commissionsing Partner UniverseSoul Dance @universesouldance
Jada Chang
SO FAMILIAR delves into the complex and resilient nature of female friendships whilst presenting the universal longing for connection.
Choreographer/Director/Editor: Jada Chang @jadachangg
Videographer: Abby Selva @abbyselvacreative
Dancers: Claire Decoteau @claire.decoteau, Taylor Sasaji @taylorsasaji
Music: White Ferrari by Frank Ocean (I do not own the rights to this song, for creative purposes only)
This film was made possible through F-O-R-M’s Co-Commissionsing Partner UniverseSoul Dance @universesouldance
Era Bothe
A Cure to Boredom follows three rambunctious boys on the hunt to find something fun to do. After experiencing a drought in entertainment, the boys quickly seek many interesting ways to quench their thirst for fun. Initially, the film seems lighthearted and wholesome. However, as options appear to quench the boys' thirst, they only ever get more dangerous.
Director: E.V Bothe
Written by: E.V Bothe
Cast: Akira Leblanc • Gabriel Canilanza • Ivan Le
Director of Photography - E.V Bothe • Asha Raibmon
Edited by: E.V Bothe
Editing Supervisor: Hanna Odlos
Production/Art Design: Asha Raibmon
Key Grips: Ainsley Wong • Joanna Kar Mei Huo
Equipment: Face Of Today Foundation
Music: Street Fighting Man By The Rolling Stones (1968)
Everybody’s Talkin By Harry Nilsson (1968)
(I do not own the rights to this song, for creative purposes only)
Ash Szeto
Andromeda is a song about being in a toxic relationship with no escape, finding ways to justify what is happening to you and putting the blame on yourself instead of the person doing you harm. Even when you've been pushed too far, you struggle to gain control over your situation.
Director: Ash Szeto
Producer, Gaffer, 2nd Assistant Director: Chloris Au @Chlxris_
Performers: Allison Wan (Toxic Partner) @Alliwanton, Olha Оnyshchenko (Protagonist) @olha_only
Cinematographer/Camera Operator, Storyboard: Soléne Pango Salas @Solene_pango
1st Assistant Director, 1st Assistant Camera: Samuel Patrick @samburger04
Production Designer: Lianne Guo @Li.an.ne_send_halp
Polaroids: Rachel Lok @reiko_rkgk
Grip: Ayelet Pango Salas
Choreographer: Olha Onyschenko
Music Score: Artemis Gallegos @artem1s_pr1me
Singer: Sophie Taylor
Editor: Ash Szeto
Special Thanks: Vincent Yao, Phil Bryne
Bona Lee
Throughout life, there is a constant pulse that dictates our movements, thoughts, and surroundings. Despite never really knowing why, we've always followed certain things such as waking up in the morning, eating lunch at noon, and going to sleep at night. In a way, we are placed into a universal routine despite our free will to not comply with it. PULSE showcases that every movement we make in our daily lives is a consequence of this structure applied onto us. Even in solitude, we are synced with the pulse because despite “moving away” from it, it is now within us.
Filmed and Directed by Bona Lee (@luvbblee)
Featuring Yuna Lee (@_yunalee)
Special Thanks to Erin Lum (@erinlum3) and Tamar Tabori from F-O-R-M!
This film was supported by F-O-R-M’s Co-Production Partner Charles Street Video (@csvtoronto)
Tanisha Kumar
Living in an Indian Hindu family, my parents shaved my head as soon as I had my first full head of hair. This was done with the purpose of deflecting the evil eye or nazar. This summer, I shaved my head again. I became completely bald. I didn't do it with the purpose of taking the nazar or evil eye off myself. I did it with the reclamation of my own identity. This film is about the experiences of being a bald person to inform people about the differing reclamations of the experience.
Director and Editor: Tanisha Kumar (@tunadoola23)
Camera Assistants: Erin Montegrejo (@ehreeen) Damon Couto-Hill (@damondliver)
Thivya Jeyapalan
In 'Awaken,' nature's tranquil beauty intertwines with the complexities of human emotions. While exploring the depths of how PTSD may affect an individual, this short film transcends a single narrative, inviting viewers to interpret its profound message personally. Through various scenes in nature, 'Awaken' evokes a sense of renewal, reminding us that even amidst turmoil, moments of serenity and healing can be found. This visual expressive piece invites introspection, celebrating the resilience of the human spirit and the transformative power of our connection to the natural world. 'Awaken' is an ode to the untamed, both within and around us.
Director, Producer, Editor: Thivya Jeyapalan (@youspoken)
Performer: Bella Liang (be.oq_)
Assistant Director: Gloria Wang
Special Thanks: Aryan Ihsan & Victoria Hung as well as the rest of the YouSpoken volunteer team
Featuring music by Johnnie Lawson and Ludovico Einaudi (I do not own the rights to this song, for creative purposes only)
Larkin Miller
An exploration of the desire to run.
Director: Larkin Miller @lrknmllr
Starring: Larkin Miller
Cinematographer: Rob Rupert
Lighting: Kendra Fanconi
Editor: Larkin Miller
Special Thanks to Kali Miller
Music: Run Boy Run by Woodkid (I do not own the rights to this song, for creative purposes only)
Public Screens
November 4th - 18th
Mount Pleasant Community Art Screen + around SFU Downtown, Burnaby and Surrey Campuses
In partnership with Mount Pleasant Community Art Screen (grunt gallery) and SFU, we invite you to find, pass-by, witness and enjoy a selection of vibrant films throughout the festival week. Stay for a minute, for half an hour or come back the next day. If you see these screens, we invite you to snap a pic, or take a video and tag @formvancouver with #FORMvancouver2023
Kaila Bhullar
Duration: 6:58
An experimental audiovisual work that explores the constructed nature of perception, and some of its nutritive factors, i.e. images and media. Using a non-linear form and collage aesthetic, the work aims at expressing a disjointed narrative coming from personal feelings and observations.
Director, Creator: Kaila Bhullar
Haley Jacques
Duration: 3:09
Independant screendance artist Haley Jacques from Calgary, Alberta in collaboration with Contemporary dance artist Jolie Che from Calgary, Alberta, bring you "Intrepidity and Existence", an abstract, experimental dance short film which explores an internal conflict around a desire to live a life apart from societal pressure and expectation. Filmed on the unceded territory of the Musqueam, Squamish and Tsleil-Waututh peoples (colonially known as Vancouver, British Columbia). Soundscore derived from "Seigfried" by Frank Ocean.
Director: Haley Jacques
Cinematographer: Haley Jacques
Editor: Haley Jacques
Dancer: Jolie Che
Soundscore: "Seigfried" (instrumental) by Frank Ocean
Andy Dongan Liu
Duration: 2:52
The short film introduces Isaac, Clement and Serge, who are well established members from the Afrobeats dance community in Vancouver and have been actively promoting this part of art culture around the city through dance classes and public shows. Through the lens of a first-time filmmaker and close friend to the three dancers, the film seeks to explore ideas behind their passion for Afrobeats dance and share the genre and its vibrancy to the public with impromptu performances.
Director, Cinematographer, Editor: Andy Dongan Liu
Dancers: Isaac Gasangwa, Clement Rugwiro, Serge Biriteye
danielle Mackenzie Long
Duration: 1:30
A ribcage embodies a dance, refusing to allow its movement to be constrained by a diaphragm made of bubble wrap.
Using animation software and motion capture data from a non-binary dance artist’s movement a dance is presented through non-gendered means of performance. opaqueREFUSALS is the first volume of a work-in-progress interdisciplinary project combining movement, digital media, installation, online game design and live performance. The work aims to empower genderqueer dance artists to exist in a world where gender is neither binary, nor defined.
Director, Animator, Dancer, Editor: danielle Mackenzie Long
Sound Designer: Miya Kosowick Mawatari
New Media Support: Freya Björg Olafson, Casey Koyczan
Artemis Pyrpilis
Duration: 11:38
In 2019, 7 years after my grandmother’s passing, I went for the first time to the house where she was born and spent her childhood. Searching through the rooms, drawers and boxes I discovered previously unseen pictures of her when she was a young girl in the 40s. A dancer, a gymnast, a restless girl whom her closed ones called Nette. Who was she really and what is my connection to her? Through her death it became clear to me that there were much more things uniting us than I had ever imagined. I decided to interact with these archival images through my body.
Director, Cinematographer, Editor, Performer : Artemis Pyrpilis
Kristen-Innes Stambolic
Duration: 5:14
SATURATED combines dance and animation to explore colour. Each section of the film takes you to explore and feel different colour, ending in an explosion of saturation. Abstract, hand drawn line animation dances across the screen and creates a playful duet with Sasha. I invite you to feel each colour.
Director, Editor, Animator: Kristen-Innes Stambolic
Cinematographer: Jacob Rodier
Dancer, Choreographer, Wardrobe: Sasha Speed
Composer: Alex Gluch
Colorist: Anthony Zor
Special thanks to the RT Collective
Jasmine Mohan Zhu
Duration: 3:26
PMS: Pepper Menstrual Syndrome is an experimental film highlighting women's struggles during monthly cycles. The pepper, shaped like a womb, symbolizes pain, frustration, and exhaustion caused by monthly cycles. It aims to raise awareness of this overlooked hardship which is often normalized and expected for women to overcome. The film prompts reflection on attitudes towards menstruation, fostering empathy and understanding. It contributes to the dialogue on gender, health, and social justice through visual motifs and body language.
Director, Cinematographer: Jasmine Mohan Zhu
Performer: Katharine Jinyan Zhao
Iwona Pasińska
Duration: 13:00
ZIELNIK/HERBARIUM is the fifth choreographic film directed by Iwona Pasinska. It is a fairy-tale episode, told with tenderness, gushing with the intense colours of flowers and élan vital. Choreography composed to a suite by Edward Grieg and presented by the artists-dancers of the Polish Dance Theatre takes the audience into the world of flora. It allows to explore a day in the life of a plant from the moment it blooms to the end, drowned in warm nostalgia. We invite you to immerse yourself in the beautiful world of flowers and leaves, in the greens, reds and purples transitioning to the greys and browns of the autumn. And all this told with movement to the rhythm of the dynamic sounds of the suite Peer Gynt op. 1 performed by Trondheim Symfoniorkester & Opera.
Script, Direction: Iwona Pasińska
Scenic Design, Costumes: Andrzej Grabowski
Score: Edward Grieg
Cinematographer: Marek Grabowski
Editor: Edyta Pietrowska
Colour Correction, Post-production: Mirosław Feliks Mamczur
Costume Assistant: Adriana Cygankiewicz
Cast: Evelyn Blue, Kacper Bożek, Julia Hałka, Paulina Jaksim, Patryk Jarczok, Jerzy Kaźmierczak, Zbigniew Kocięba, Katarzyna Kulmińska, Dominik Kupka, Daniel Michna, JinWoo Namkung, Pau Perez-Pique, Katarzyna Rzetelska, Sandra Szatan, Zofia Tomczyk, Emily Wong-Adryańczyk
Ysadora Miranda Dias
Duration: 1:29
The song "Garganta" comes to life through movements that explore the inner struggle between the mind and the heart. It represents the complexity of human emotions and the challenge of expressing oneself fully. The performance culminates in a moment of realization, understanding that doubting one's own voice doesn't diminish one's essence, conveying a message of liberation and empowerment.
Dancer: Ysadora Dias
Cinematographer, Editor: Igor Gomes
Silvia Autorino
Duration: 3:15
Freely inspired by the Valdrada story from Italo Calvino's "Le città invisibili", the video work aims to lead towards an emblematic thought over the reality of the individual and his appearance. We are in a world full of images that shapes and reconstructs emotions and actions. An occult and deceptive reality that is reflected in our daily life.
Director: Silvia Autorino
Performer: Roberta Fanzini, Mariangela Milano
Videomaker: Sara Grasso
Music: Daniele Gherrino
Assistant Director: Vittoria Guarracino
Editors: Silvia Autorino, Sara Grasso
Brigita Gedgaudas
Duration: 2:55
“Be Vardų, Be Kojų”, meaning ‘without names, without legs’, is an experimental, animated, dance film investigating queer movement in Lithuanian folk dance. Using photograms made from scanning dancers performing specific gendered folk dance steps, each dancer has been glitched by the computer’s inability to put moving bodies into one space and time. Transforming into aliens, these bodies don’t conform to earthly physics, boundaries, and rules; they act as disruptive agents stripping folk dance of binary roles and structures assigned to dancers. Unrestricted, these glitches can create new forms of folk dance that reinvent traditions to imagine queer futures and dreams.
Director, Dancer, Animator, Editor, Sound Designer, Writer: Brigita Gedgaudas
Iris Gao
Duration: 2:30
Your fashion is THE fashion! In this dance film, dancers from punking, w*acking and voguing culture come together to showcase their unique movements as well as their favourite outfits. As all of these dance genres originate from LGBTQ+ culture, we convey through our movements that everyone is the star of their own stage by being their authentic selves!
Dancers: Rosie M. Richard, Katria V. Phothong-McKinnon, SINUHÉ, Maria Belen de Rama, Shelby Tan, Stephanie Li, Juan Imperial, Ivan Lo, Iris Gao
Director, Designer: Iris Gao
Cinematographer, Editor, Lighting: Jullian P. Visco
Soundtrack: Fashion Blogger - RHYME SO
Closing Night - Commissioned Artists’ World Premieres - Live Artist Talkback Facilitated by Simran Sachar
Saturday November 18 @ 7 - 8:30 PM PST
SFU Woodwards + Digital Library
F-O-R-M’s Commissioning Fund Program is at the heart of the festival. It is a catalyst for youth and emerging artists to explore and play at the intersection of movement and film. Every year, we witness processes fueled by imagination and personal exploration, resulting in innovative films that take us beyond the screen and into the intimate worlds imagined by these emerging creatives.
Joanne Joo-Yeong Park
Duration: 5:10
"Anger rumination is a cognitive-emotional process that refers to the tendency to dwell on frustrating experiences and to recall past anger experiences (Sukhodolsky et al. 2001)... rumination may preclude the use of adaptive emotion regulation strategies such as cognitive reappraisal and problem solving (Connor-Smith et al. 2000; Nolen-Hoeksema et al. 2008)"
In an attempt to move forward, to move on, Joanne internally dissects her memories, feelings, self, until there is nothing left.
All to look back and see that she has not taken a single step from where she was.
It may not be something that one can do alone.
Sources: Smith, J. A. (2021). Understanding Anger Rumination. Journal of Emotion Research, 5(2), 123-135. https://www.ncbi.nlm.nih.gov/pmc/articles/PMC7035789/
Creative Director, Assistant Editor: Joanne Park
Mentors: Nancy Lee and Eric Cheung
Makeup: Xander Terrin Chen
Videography: Cameron Anderson
Videography and Assistant Editor: JaeHee Kim
Colourist: Patrick Gong
VFX: Dallas McKinnon
Dancers: Juan Imperial, Erin Lum
The Man: Dorian Issa
Extra thank you to my waacking, popping, and krump teachers and influences: Rina Pellerin, Denny Kang, Eric Cheung, and Rexx Franklin.
Extra love to the street dance community in Vancouver for finding me in 2019 and changing me for the better. I always feel like my dance journey is just beginning, and it is so exciting.
Co-Commissioned by BC Movement Arts
Creation Sponsor: The Cultch
Satya Mari
This film contains minimal strong language and nudity
Duration: 7:00
LOST PARADISE is at home and out of time. It explores the dynamics of three different maternal relationships through familier, unusual, and sticky states.
Director: Satya Mari
Music Score: Satya Mari, Where Did You Sleep Last Night by Lead Belly, Call Me When You Can by Chris Petra
Editor: Satya Mari
Cinematographer: dani Mackenzie Long
Sound: Ethan Volberg
Lighting and extra help on set: Kaya Tsurumi, Audrey Sides
Performers: Allie Shiff, Satya Mari, Ryan Jackson, Kate Franklin, Carla Van Messel, Susan the cat
Mentor for post production: Santi Henderson, Joshua Lam
Co-Commissioned by Company 605
Raven Grenier
This film contains strobe effect and dark content
Duration: 5:00
SPANOCHNONGA is an analysis and approach to mental health diagnoses through an Indigenous lens. Specifically, with the artistic director's personal experience with schizophrenia and seeing and hearing supernatural beings (nochnonga), and understanding being accompanied by voices through the cultural relevancies of her Gitxsan roots. It is also a theoretical response to Alica Elliot's a Mind Spread Out On the Ground in the spoken words elements and soundscape. Through digital design, lighting and special effects, contemporary dance, and sound, experience one's physical body being taken over and transported to SPANOCHNONGA, a place where monsters used to go that were once nochnochs.
Artistic director, Choreographer, Formline design, Sound producer/song/spoken word - Raven Grenier
Producer - FORM
Co-commissioning partner - the Dance Centre
Set designer, Creative producer, Digital design, editing - Andrew Grenier
Videography - Eric Sanderson, colouring
Film director - Kira Doxtator
Sound design - Ted Hamilton, Scope
Sound mentorship - Edziu
Dramaturge - Charles Koroneho, Margaret Grenier
Collaborating interpreters - Atamira dance company
Attire - Brandi Lancaster x Raven Grenier
Indigenous nail Art - Waaynexwi7 day spa
Make-up - Sam Kronstal
Thank you to my friend and young Indigenous female director Kira Doxator for her talents and incredible passion, my parents for all of their support and my family for the encouragement!
Colby McLean + Adam Smith
Duration: 14:02
Relinq inverses the relationship between dance and music. Sounds created by dancers have been warped and molded to produce a piece of music led by dancers, rather than a dance piece led by music. Through this mixture of movement and sound, Relinq captures the unfiltered energy of the Session and offers it to the viewer without external interference.
Through the viewfinder of a camera, the audience is invited to experience the session as a dancer, a spectator, and a fly on the wall.
Directors: Colby McLean, Adam Smith
Assistant Director: J. L. McLean
Producer: Justin Larioza
Music Score: Adam Smith
Editors: Colby McLean, Justin Larioza
Cinematographers: Benjamin San Martin, Nick Alford
Dancers: Colby McLean, Eunice Faye Dionisio, Adam Smith, Skargfy, Samantha Lindo, Justin Larioza
Mentors: Sophia Mai Wolfe, Eric Cheung
Special thanks to Jami Reimer for pushing us to submit an application, and to Yimu Wang for creating the space through which our group flourished.
Marisa Gold + Darryl Ahye
Duration: 7:00
All things exist in a continuous cycle. Each end leading to a new beginning. Inhale leads to exhale, growth to disintegration, and death to life. We can slow things down, but Nothing Can Stay. Nature teaches that we must surrender everything in time to be alive once more. The rhythm is relentless, gentle and unstoppable.
Producers: Marisa Gold and Darryl Ahye
Director: Darryl Ahye
Performer: Marisa Gold
Writer: Marisa Gold
Cinematographer: Darryl Ahye
Editors: Darryl Ahye and Marisa Gold
Voice-over: Marisa Gold and Darryl Ahye
Music: Pixabay
Audio mixing: Marisa Gold and Darryl Ahye
A big thank you to the whole F-O-R-M team, to Colin and Dan of Cineworks, and GearBASE!
Aerial Sunday-Cardinal
Duration: 15:00
A short film documentary that takes place on Whitefish Lake First Nation #128 and Saddle Lake Cree Nation. It offers an insight into and a reminder of Nehiyaw traditions and values as we near the prophetic end of times.
Director: Aerial Sunday
Cinematographer: Andriy Lyskov
Sound design: Matt Leibowitz
Editors: Joshua Lam, Aerial Sunday
Mentor: Joshua Lam
Co-Commissioned by: Wild Mint Arts
Commissioning Fund Production Partner: Calgary Society of Independent Filmmakers
danielle Mackenzie Long
Duration: 1:32
A ribcage embodies a dance, refusing to allow its movement to be constrained by a diaphragm made of bubble wrap.
Using animation software and motion capture data from a non-binary dance artist’s movement a dance is presented through non-gendered means of performance. opaqueREFUSALS is the first volume of a work-in-progress interdisciplinary project combining movement, digital media, installation, online game design and live performance. The work aims to empower genderqueer dance artists to exist in a world where gender is neither binary, nor defined.
Director, Animator, Dancer, Editor: danielle Mackenzie Long
Sound Designer: Miya Kosowick Mawatari
New Media Support: Freya Björg Olafson, Casey Koyczan