F-O-R-M 2021 Short Films
F-O-R-M 2021 ran online from September 13-18. View the program guide here.
Explore the film line-up below—jump to: Fused (Monday), Off-the-Wall (Tuesday), X Marks the Spot (Wednesday), Under Your Own Steam (Thursday), Commissioned Artists’ World Premieres (Friday), Commissioned Artists’ World Premieres (Saturday)
Fused Monday, September 13
Followed by a pre-recorded artist talk facilitated by Simran Sachar • Screening contains strobe effectsA collection of films that blur the lines between technology and the body. Through editing techniques and dancing with technology, these films explore the fusion of movement and cinematic language to uncover new possibilities and potentials for the body in motion.
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Layla Wei, ScRach MarcS
DURATION: 7:54
SYNC follows the perspectives of a couple, drawing parallels among the trust-building process between human individuals, between programmatic systems, and between men and machines or artificial systems. Their bodily movements evoke this state of tension as well as bonding throughout the process of noticing, connecting, trusting and syncing with each other. Amidst uncertainties in this age of hybrid lives, and this era of technological transformations where we become increasingly intertwined with artificial realities, this film poses the question of what it takes to be really in sync with another identity.
CREDITS
Director: Layla Wei, ScRach MarcS
Choreographers: Layla Wei, ScRach MarcS
Performers: Layla Wei, ScRach MarcS
Cinematographer: Jeremy Lau
Producer: Layla Wei, Victor Gan
Editor: Layla Wei
Online Editor: Togusa Chan
Camera Assistant: Tom Seah
Grip: Zhang JiaPei, Jay Chan
Production Assistant: Catherine Zhang
Music: Paul Ressel
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Sophie Janus, Kira Radosevic + Tara Rajah
DURATION: 4:16
SALTY is a collaborative dialogue between dancer, videographer, and cellist, exploring the sensations of overwhelm and escape. As the distinction between dancer and environment becomes increasingly ambiguous, space is created for the push and pull of emotions, evoked through recorded waves, camera movement, music, and dance. This film was inspired by a certain struggle: caring deeply about something but not having the capacity to express yourself clearly, and thus feeling lost. We believe these experiences are universal, and demonstrating them through recorded movement will allow others to feel understood, and as a result, maybe a little less lost.
CREDITS
Director, Videographer, Editor: Sophie Janus
Choreographer, Performer: Kira Radosevic
Location: 45W
Composer, Cellist: Tara Rajah
Supplementary Music: Green-House
Maria Kobzeva
DURATION: 10:00
CTRL_R is an interdisciplinary dance film at the intersection of technology, dance, film, and site-specific performance that explores the relationship between humans and (surveillance) technologies. In doing so, CTRL_R imagines not only dystopian visions of the future but also possibilities of a creative, playful, more-than-human coexistence: Two performers dance with a drone in three sceneries, through different realities and landscapes in which technologies are already deeply inscribed; within an urban environment, through old industrial halls, and amongst a solar panel field. CTRL_R poses questions within dance about control, loss of control, interplay, and coexistence with new technologies.
CREDITS
Artistic Direction: Maria Kobzeva
Choreographers, Performers: Sandra Domnick, Maria Kobzeva
Videographer and Post Production: Georg Gilstein
Drone Pilot: Lukas Stemmler
Dramaturgy: Maria Huber
Costumes: Michaela Kraft
Composer: Nicolas Fehr
Saxophone: Ralph Heidl
Drums: Simon Popp
Rumi Jeraj
DURATION: 10:40
This work is an exploration of space. Inspired by its location and the urge to change urban spaces into performance places, WIRES began as a physical exploration. By questioning what could be done outside of the studio but not within, a new dance space was made. From here the work became a radical act of collaboration. The performer's state of mind at this moment in time became a jumping off point: the physical substances included, the weather on shoot day and conversations about feeling and style all found their way into this film. Enjoy!
CREDITS
Director: Bobby Markov
Concept: Rumi Jeraj
Performers: Moira Humana-Blaise, Ethan Kim, Rumi Jeraj
Editors: Rumi Jeraj and Bobby Markov
Composer, Producer: Gareth Gilliland
Sound Engineer: Mark Maclure
Saxophone: Holly Sangster
Drums and Percussion: Zane Baker
Bass: Kessler Douglas
Guitar: Gareth Gilliland
SPECIAL THANKS
Austin Macpherson, Next Fest, Collective of Scenic Exchange, Joel Taylor, Esmail Jeraj
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Anthony Valon
DURATION: 6:41
A human shadow wakes up in the middle of a giant empty factory, at the foot of a monolith that reflects his silhouette endlessly. He bears the marks of a time that has passed: the traces of a makeup that now deceives facial recognition.
CREDITS
Director, Composer, Producer : Anthony Valon Aka Bazabuque
Performer: Lorenzo DS Dasse aka Yodaproduction: Kid A
Director of Photography: Aurélien Le Calvez
Production Partner: Kenji Meunier
Production Assistant: Alban Duchateau
Steadicamer: Sacha Naceri
Assistant Camera: Jean-Charles Baravian
Focus Puller: Félix Sulejmanoski
Lighting Designer: Tristan Mouget
Assistant Lighting Designer: Lucas Bouchet=
Video Mixer: Clément Valon
Colorist: Caïque (Shade)
Typographer: Esther Szac
Recording: Marc Upson & Peter Combard (Studio Mu̧)
Mix & Sound Design: Maxence Dussere (Studio Zone D'ombre)
Drummer: Laurent Pena Vieira
Photographer: David Zagdoun
Makeup Artist: Caroline Lacoste
SPECIAL THANKS
Olivier Simola, Stella Rossinifabrice Lefebvre, Élie Tisné, Didier & Isabelle Valon, Félix Pirritano, Anne Le Mottais, Marina Obolensky
This film contains strobe effects
Off-the-Wall Tuesday, September 14
Followed by a pre-recorded artist talk facilitated by Kimberly HoOff-the-Wall features eccentric and quirky characters that embody expressive interpretations of the self, utilizing narrative and experimental approaches to storytelling. Each story brings you into the intimate spaces of the characters' worlds and invites us to look beyond the ordinary.
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Charissa Kroeger + Eric Schloesser
DURATION: 6:04
An escape from reality: we follow two strangers through a sizzling, quirky outburst of dance in a retro-futuristic, parallel world. SMOKESTACK LIGHTNING chronicles the adventure of these two heroes as they navigate their shared dreamscape, devoid of time and relieved of convention. Their meeting initiates a momentary connection, a reprise from the world around them; movement as their language.
CREDITS
Directors: Charissa Kroeger, Eric Schloesser
Choreographers: Charissa Kroeger, Eric Schloesser
Performers: Charissa Kroeger, Eric Schloesser
Director of Photography: Ian Coad
1st Assistant Camera: Marcin Szocinski
Editor: Grant Shelpuk
Sound Design: Sofia Hultquist
Makeup Artist: Sara Tagaloa
Hairstylist: Antoine Martinez
Costume Design: Samath Orm
Additional Crew: Owen Scarlett, Gracie Whyte
Nicola Adilman
DURATION: 7:15
BETSY is a quirky, bath-taking, cigarette-crazed woman whose morning routine is unlike most. Gatorade, swimming goggles, and ants on a log for breakfast are just a few of Betsy's true loves. It does not take much to bring her contentment. A visit to the gazebo in her local park leads to a joyful moment captured in a long take. Eccentric gestures, unconventional costumes, varied shot sequences, and exuberant movement combine to advance the filmic storytelling, allowing the viewer to feel a part of Betsy's journey.
CREDITS
Director: Nicola Adilman
Performer: Nicola Adilman
Editor: Nicola Adilman
Cinematographer: Simon Tesfay
Music: “In My Lover's Hand” by Golden Age Radio and “Bougie Boogie” by Touched
Dolly Sfeir
DURATION: 8:28
Devastated and powerless as she watched the 2020 Beirut explosion and its aftermath from afar, Lebanese American choreographer and director Dolly Sfeir set about creating a work to express her delicate state of mind. IT CRIES TOO LOUDLY is a dance film exploring the overlap between joy and tragedy in her tumultuous home country and the experience of being an emigre.
CREDITS
Director: Dolly Sfeir
Performers: Ian Spring, Omar Roman De Jesus, Annalee Traylor
Cinematographer: Pierre Marais
Producers: Abingdon Theatre Company, Chad Austin, Pierre Marais
Editor: Pierre Marais
Alder Sherwood
DURATION: 3:33
FOR FEAR OF (OVERFLOW) is an exploration of the similarities between an overthinking mind and the act of containment. aiming to open our eyes to how slippery our own limits can become when closely examined, the use of juxtaposed timelines, falsities, and a constant desire for repetition and interruption lead to an eerie sense of confusion and restlessness—in both subject and spectator.
CREDITS
Director, Choreographer, Performer, Editor: Alder Sherwood
Cinematographer: Danielle Mackenzie Long
Sound Design: Oksana Augustine
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Alfonso Sales
DURATION: 4:18
At the heart of the desert, a bounty hunter finally finds an infamous raider and attempts to take him down to claim the bounty. Both cowboys duel it out to prove who the baddest cowboy is in the wild, wild west.
CREDITS
Director: Alfonso Sales
Choreographers, Performers: Juan Diego Villarosa, Juan Gabriel Villarosa
Cinematographer: Alfonso Sales
Producer: Sky Solitude Pictures
Editor: Alfonso Sales
Production Assistant: Karla Urquiaga
Writer: Alfonso Sales
Co-Writers: Juan Diego Villarosa, Juan Gabriel Villarosa
X Marks the Spot Wednesday, September 15
Followed by a pre-recorded artist talk facilitated by Tamar TaboriX Marks the Spot will transport you to different locations around the world. Each environment plays an important role in each artist's journey, informing the ways in which they embody their stories. A conversation between space, body and camera.
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Tanin Torabi
DURATION: 10:30
IN PLAIN SIGHT is the result of months of exploring urban movements on a boulevard in Tehran, Iran. In a society where many questions and restrictions exist around the concept of ‘movement’, three performers try to define the borders of dance. They interact with their surroundings and thus become an integral part of the flow of the city. They accompany each other to find the power of collective movement. The journey is the destination.
CREDITS
Director: Tanin Torabi
Assistant Director: Mahsa Akbarabadi
Choreographers: Tanin Torabi in collaboration with Masoumeh Jalalieh & Tina Beyk Abbasi
Performers: Tanin Torabi, Masoumeh Jalalieh, Tina Beyk Abbasi
Cinematographer: Masoud Banafsheh
Photography: Hannaneh Heydari
Producers: Sina Saberi, Tanin Torabi
Editor: Anis Eshraqi
Colour Grading: Farbod Jalali
Production Manager: Mahsa Akbarabadi
Composer: Faran Fahimi
Style Advisor: Sahar Mactabi
Missy Reyes
DURATION: 3:31
Grief is an ongoing journey and leaves an empty space in one's soul, yet one must continue moving through life. This piece is an expression of loss and love by four siblings. Although their sister passed away when she was a baby, her presence is imagined and felt in everything they do.
CREDITS
Director: Missy Reyes
Choreographers, Performers: Missy Reyes, Marlowe Reyes, Mekaela Reyes, Mickee Reyes, Kelly Blancas
Videographer: Anthony Grant
Editor: Missy Reyes
Krista Newey
DURATION: 3:31
CAN U FEEL ME THRU THE SCREEN is a collage of small moments. With an accumulation of video clips from 11 performers living in different places (Montréal, London, NYC, Salzburg, Seattle, Toronto, and Bermuda), this film celebrates the perseverance of performers during the pandemic. The film exists to recognize all performers/creators and the difficulty of having to transition to digital work. We are able to stay connected online, but what is missing when we only create for the internet? How can we make video performance feel real? Can you really feel it through the screen?
CREDITS
Director: Krista Newey
Performers, Videographers: Maïka Giasson, Sydney McManus, Vicki Sue Machin, Kalene Jeans, Nicholas Ruscica, Emily Spearing, Michael Baboolal, Laura Carella, Dezjuan Thomas, Jocelyn Mah, Krista Newey
Editor: Krista Newey
Sound Design: Krista Newey
Maria Eugenia López Romero
DURATION: 4:41
sabel spoke in Guaraní, almost never in Spanish. Textures, smells, tastes that remind her of her own intimacy ritual, travel and resonate at home today. She was my grandma, whom I never knew. In the impossibility of translating voices and movements, what resonances remain?
CREDITS
Director, Choreographer, Editor: Maria Eugenia López Romero
Performers, Voiceover: Margarita Romero, Maria Eugenia López Romero
Assistant Directors: Camera: Romina Garay, Valeria Suárez
Sound Recording: Julián Scófano
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Sammay Dizon
DURATION: 15:15
HINGA is a performance ritual film and time capsule honoring the sacred grief, life force, and resiliency of the Filipinx community in the Bay Area, specifically SOMA Pilipinas Cultural Heritage District during COVID-19. Directed by interdisciplinary artist and choreographer SAMMAY with the prayerful poetry of Amihan, this is a community ritual for healing, release, and dreaming for the future we are ushering in. HINGA is centered around the loss of a brave and beloved social justice warrior Amado Khaya (Amado meaning “beloved” and Khaya meaning “home”) whose legacy truly transcends the limitations of time, materiality, and geographical borders.
CREDITS
Director, Producer, Writer: Sammay Dizon
Performers: Amihan, Earl Alfred Paus, Lisa Suguitan Melnick, Malaya Redondiez, Nickel Rivera, SAMMAY, Solitaire M., Terrence Paschal
Director of Photography, Editor: Kat Gorospe Cole
Assistant Camera: Joshua Prado, Justin Kyle Dionisio
Graphic Designers: Baltazar J. Dasalla, Eduardo Daza Taylor IV
Production Assistant: Día Alvites, Matt Galang
Composer, Sound Designer: Joshua Icban
Under Your Own Steam Thursday, September 16
Followed by a pre-recorded artist talk facilitated by Lexi Mellish MingoTo do something “under your own steam” is to take your journey into your own hands. These films all have a level of innate independence, embodying the joys and hardships of uncovering the meaning behind one's own identity.
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Shion Skye Carter
DURATION: 5:27
FLOW TIDE is a short film by dance artist Shion Skye Carter and Japanese calligraphy artist Kisyuu. Created at home during the COVID-19 pandemic, the artists explore the intrinsic relationship between dance and the centuries-old tradition of calligraphy. Shion embodies the movement of the calligraphy brush with the sensation of the liquid ink flowing through her body, while Kisyuu’s dance takes place through her brush. Each brushstroke adds a call to which the dancer responds; this abstract conversation becomes a representation of Kisyuu and Shion’s connections to their Japanese roots, to their art forms, and to one another.
CREDITS
Directors, Performers: Shion Skye Carter, Kisyuu
Cinematographer: Stefan Nazarevich
Editor: Shion Skye Carter
Music: Stefan Nazarevich
Irfan Setiawan
DURATION: 4:00
This work is inspired by the ancient Malay speech literature of Bangka "Bedaek". The contents of the "Daek" have many meanings, messages of wills, and criticism. The existence of this speech inheritance is like metaphysical dimensions that are again confronted with the realities of humanity, the universe, and the spirit in the present.
IN SPIRIT, IN REALITY explores ancient speech reasoning through the perspective of motion, metaphor, and even presupposition of events. This work is like reading The Times amidst the variety of events as humans move quickly to heed utopia and are uprooted from their human principles.
CREDITS
Directors, Cinematographers: Way Gaw, Gothe, Agung Exora
Choreographer: Irfan Setiawan
Performer: Irfan Setiawan
Editor: Way Gaw
Music: EWA, Sunarya Ley
Vocals: Sunarya Ley
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Tanveer Alam
DURATION: 6:02
LEHER, which translates to “Waves” in Urdu, is inspired by a phrase that was very often used by my guru Sandhya Desai in my early years of training — Kathak is like a river, it flows…
This short work takes a minimalistic approach to Kathak, and explores the anatomical specificities of the spine in relation to the Kathak technique. The poetic lines sung in the music refer to a river and its movements. Parallels are drawn between the spine and the river: both flowing, expansive, and contained.
CREDITS
Choreographer, Performer: Tanveer Alam
Videographer, Projections: Robert Kingsbury
Co-Editors: Tanveer Alam, Robert Kingsbury
Dramaturg: Harikishan S. Nair
Music: Gurumurthy Vaidya
Commissioned by CanAsian Dance for their 2021 Grit: Short Dances program.
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B Gosse + Jason Vu
DURATION: 8:13
PRINCESS portraits a resolving of identity for non-binary Vietnamese-American dancer Jason Vu as they revisit memories of desire from their childhood. A work of radical softness, it pleads with us to investigate our most intimate truths. What if yearning is wound up? How quickly it unfolds, exposes us, confronts us with little sense of shame. PRINCESS is both a celebration of uninhibited queerness and a reckoning with its violent history. If trauma is trapped in the body, what happens when it bursts out from the inside? Can we then ask the body to sift and separate fear from desire? Embodying past, present, and future, PRINCESS recalls that freedom appears in the unknown, that sanctuary is not a place, but an action of remembering.
CREDITS
Directors: Jason Vu, B Gosse
Choreographer, Performer: Jason Vu
Cinematographer: B Gosse
Camera Assistance: Ze Jucutan
Editor: B Gosse
Production Support: Unicorns&Unicorns
Composer: Amanda Yamate
Sound Mixer: Romain Sturma
Voice Over Engineer: Theresa Vu
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Siam Obregón + Kyana Lyne
DURATION: 7:46
Faced by the global pandemic and race crisis, a performer dedicates a moment for personal catharsis through movement.
CREDITS
Co-Directors: Siam Obregón, Kyana Lyne
Choreographer: Kyana Lyne
Performer: Jontae McCrory
Director of Photography: Steven Turcotte
Editor, Writer: Siam Obregón
Camera Operator: Ben Gauthier
1st Assistant Camera: Lawrence Labeau
Gaffer: Luna Gautier
Grips: Evangelos Desborough, Alexandre Nour Desjardins
Production Manager: Mérédith Gonzalez-Bayard
Sound Designer: Paloma Daris Becotte
Singer: Stella Adjokê
Commissioned by Festival Quartiers Danses
Commissioned Artists' World Premieres Friday, September 17
Followed by a live, ASL-interpreted artist talk facilitated by Aria Evans • Screening contains partial nudity and explicit languageAmanda Sum + Justin Calvadores
DURATION: 4:00
CO-COMMISSIONING PARTNER: Company 605
MENTOR: Nancy Lee
2 Asian-Canadians confront their internalized smallness, and finally learn to take up space through humour, dance, and wide stances.
CREDITS
Directors: Amanda Sum and Justin Calvadores
Choreographers: Amanda Sum and Justin Calvadores
Dancers: Amanda Sum and Justin Calvadores
Cinematographer: Jo Hirabayashi
Editor: Jo Hirabayashi
Music: Kimia Koochakzadeh-Yazdi
Colourist: So Young Park
Crew: Dan Loan
THANK YOU
Sarah Wong and Linda Sum
Sebastian Hill-Esbrand
DURATION: 2:45
This film contains booty overload, slight nudity and explicit language.
BOOTY FREEDOM is a dance community that celebrates self-expression through booty movement and dance. We follow the journey of Rozelle, a BOOTY FREEDOM frequentist, who must navigate through the rooms of the Booty House to discover her authentic self. The film is told with an inclusive and intersectional lens that decentralizes the male gaze; resulting in an empowered and liberated portrayal of the womxn within the community.
CREDITS
Director: Sebastian Hill-Esbrand
Choreographer: Nargis Dhirani
Assistant Choreographer: Miya Henrikson
Producers: Sebastian Hill-Esbrand, Nargis Gushy, Maisie Thomas
Editor: Coline Debray
Production Assistant: Koby Cobb-Violet
Director of Photography: Avery Holliday
1st Assistant Camera: Dianna Parry
Production Designer: Samantha Lam
Art Director: Kallista Dittrick-Katevatis
Art Assist: Roohi Kamal
Gaffer: Austin Kwok
Key Grip: Gabe Chan
Best Boy Electrics: Sam Lin
Best Boy Grip: Jamie Mitri
Color: Sam Gilling
Assistant Editor: Kelsey McGowan
Lead: Rozelle Callangan
Dancers in the house: Miya Henrikson, Lissy Allen, Jessica Li, Mariana Trujillo, Janice Callangan, Diego Pacheco, Lily Napier Machek, Erin Bodin, Jessa St. Pierre, Helena Zhang, Avelina Stanier Cruz
Dancers Outside: Coline Debray, Lee Ann Tolentino, Lisa Wakeham, Mikela Gnyp, Sabryna Ranger, Blue Feldman, Alexandria Weatherbee, Anna Pang, Maria-José Araujo, Artemis Walden, Travis Clifford
THANK YOU
Wouldn't have been possible without the support of Nargis Gushy. A heightened appreciation and gratitude to Nargis Gushy. I'd like to acknowledge her outstanding efforts and dedication in the choreography, conceptualization and production processes throughout this project.
Thank you to Tamar and Sophia for their trust, support, patience and understanding throughout the creative process of this commissioned project.
Danielle Mackenzie Long
DURATION: 9:30
CO-COMMISSIONING PARTNER: New Works
MENTORS: Justine A. Chambers + Sammy Chien
Universally sharing the exact sensation of time passing is impossible. Days of extreme chaos may seem to exist for a mere second, while a single moment of stillness can feel bottomless, never ending.
Be content with moments of quietness. Allow yourself to observe the mundanity you see for the minutes that pass over you. Slowly, SHOULDERING INTERVALS OF DESIRE reveals itself as a visual vault depicting the accumulation of my many aspirations, which have all been influenced by the relationship I hold between time and life. As circumstances in my life change, my relationship to time shifts drastically, as do my ambitions and desires. Some have become irrelevant because that desire’s lifespan has run out. Either I have simply outgrown the idea of it, or I convinced myself it is no longer of interest to me since I care too deeply about it to bear the thought of not being able to reach it.
Surrounded by an abundance of options, the extreme ambition to pursue many paths, and the overwhelming reality of having to make decision after decision I shift between existing in reality with my thoughts to the courtroom of my mind
Trying to wait. No rushing.
Debating between ideal scenarios
Negotiating among myself
Confronting my wildest aspirations
Pursuing it unapologetically
There will be many turning points to come in my life. SHOULDERING INTERVALS OF DESIRE is merely how I am navigating the current moment of great change and decision I face.
CREDITS
Director: Danielle Mackenzie Long
Cinematographer: Max Berkowitz
Performers: Danielle Mackenzie Long and Alder Sherwood
Choreographer: Danielle Mackenzie Long
Sound Designer: Miya Kosowick
Editor: Danielle Mackenzie Long
Wardrobe: Alder Sherwood and Allie Shiff
THANK YOU
Without the generous support from Ellie Bishop, Kate Franklin, Nelson Kumar, David McIntosh, Hannah Richard, Ben Ross, Nikki Schenk, and Allie Shiff this film would not be possible. Thank you all for your various contributions throughout the process.
Sophie Dow
DURATION: 14:49
CO-COMMISSIONING PARTNER: Wild Mint Arts
MENTORS: Aria Evans + Wild Mint Arts
MOUNTAIN DUETS is a circular ritual illustrated through movement. We follow an individual that falls into a chaotic haze, losing sight of balance and stillness. This solo mover is a symbol of both independent and collective consciousness. They’re a representation of all we go through on micro and macro scales; testament to the cycles of the building, tearing down and rebuilding of humanity. From the dark place, the individual calls upon ancestral archetypes and wisdom of Turtle Island to journey together - a moving alliance, between human and internal mountain - reminding us of our deeply rooted strength, resilience and reciprocity to each other and Mother Earth.
CREDITS
Director: Sophie Dow
Choreography: Sophie Dow in collaboration with interpreters
Videographer & Editor: Connie Oreamuno
Interpreters: Maria Lucia Llano, Paige Sayles, Tyra Temple-Smith, Sophie Dow
Sound & Text: Sophie Dow & Deya Dova
Costumes: Clayton Lormand & Sophie Dow
Mentors: Aria Evans, Jessica McMann (Wild Mint Arts), Brian Solomon, Karen Kaeja
Support & Residencies:
This film was commissioned by
-F-O-R-M and Wild Mint Arts as part of the 2021 Commissioning Funds
-Produced under a F-O-R-M Festival Charles Street Video Artist in Residence Program
-The Paprika Festival - 2 year Indigenous Arts Program
-Kaeja d’Dance & New Blue Emerging Dance Creative Risk Residency
-Residency program of Peggy Baker Dance Projects and Canada’s National Ballet School
-Chimera Dance Theatre Company B Lab Sponsorship
THANK YOU
-Linda Rose - Cultural Consultant
-Jay Northcott - Paprika Indigenous Arts Program Coordinator & support
-PJ Prudat - Paprika Year 2 Facilitator
-Cliff Cardinal - Paprika Year 1 Facilitator
-Past & contributing interpreters: Shannon Flaicher, Angela Xu, Maisie Ryan, McKenzie Foy
With infinite gratitude, Mountain Duets moved from a 2018 dream and vision to a present realization, with deep love and generous commitment from:
Connie Oreamuno, Jay Northcott, Maria Lucia Llano, Paige Sayles, Tyra Temple-Smith, Linda Rose, Aria Evans, Karen Kaeja, Brian Solomon, PJ Prudat, Tamar Tabori, Sophia Wolfe, The Paprika Festival, Wild Mint Arts and all previous interpreters. From the bottom of my heart - Marsii!
Commissioned Artists' World Premieres Saturday, September 18
Followed by a live, ASL-interpreted artist talk facilitated by Nancy Lee • Screening contains strobe effectsSevrin Emnacen-Boyd
DURATION: 6:27
CO-COMMISSIONING PARTNERS: Co.ERASGA + Tara Cheyenne Performance
MENTOR: Mark Valino
AION refers to a concept developed by the philosopher Gilles Deleuze which denotes "the indefinite time of the event, the floating line that knows only speeds and continually divides that which transpires into an already-there that is at the same time not-yet-here, a simultaneous too-late and too-early". It refers to a time-sense that is outside of Chronos or the chronological, linear, everyday measure of time which both organizes and is organized by "normality". These twin concepts demonstrate that time is anything but neutral, and that it organizes our perception of reality and our visions of the future.
The film AION plays with the conceptual disruption of Chronos by molding together both forward and reversed movement while creating an ulterior continuity between night and day. It is a dance that refuses the constructed time-sense of the everyday, one that is instilled in us by capital and has remained mostly imperceptible for many until COVID-19. As we edge closer to normality, AION serves to remind the viewer of the possibility of constructing time and ultimately our lives outside of "the normal" that drove us here in the first place.
CREDITS
Director: Sevrin Emnacen-Boyd
Choreographer: Sevrin Emnacen-Boyd
Music Score: Amine Bouzaher
Editor, Director of Photography: Alinar Dapilos
Production Assistant: Abby Skaug
SPECIAL THANKS
Immigrant Lessons, Now or Never Crew, and Scndrlz
Mirusha Yogarajah
DURATION: 4:42
MENTOR: Kalainithan Kalaichelvan
A young boy looks for love from his older self, while seeking sanctuary in nature.
CREDITS
Director: Mirusha Yogarajah
Writer: Mirusha Yogarajah
Director of Photography: Ramiya Pushparajah
Dancer 1: Kalaisan Kalaichelvan
Dancer 2, Voice Actor: Rafael Rodrigo-Zimbalatti
Composer: Kalaisan Kalaichelvan
Dance Consultant: Brannavy Jeyasundaram
Production Assistant: Kuru Selvarajah
Production Assistant: Nirusha Yogarajah
Behind the Scenes Photographer: Sadiah Rahman
For the kids like us.
Emma Morris
DURATION: 6:37
MENTOR: Francesca Chudnoff
"so I named the creature Loss and named the home ______ "
BABY TEETH witnesses a woman navigating abstracted memories of loss through physical manifestations. Using contemporary dance, the woman explores contrasting landscapes in a dream-like reality of grief. As she invites fragmented memories to the surface, they come to life, allowing her to dance with her recollections. Accompanied by a cello soundscape, BABY TEETH is a glimpse into the journey of making peace with the past, dancing alone with loss, and finding repose in the water.
CREDITS
Concept/Design: Emma Morris
Producer: Emma Morris
Co-Producer: Vince Harttrup
Director: Vince Harttrup
Director of Photography: Steven Tsinokas
Colour: Steven Tsinokas
Editor: Vince Harttrup
Creative Director: Emma Morris
Choreography: Emma Morris
Dancer: Marisa Ricci
Music composed by: Justin Wright
THANK YOU
Ryan Antooa, Francesca Chudnoff, Bradley Eng, Kelly Kirkham, Ben Morris, Jacob Morris, and Amanda Wood
Still image credit: Ryan Antooa
Kyana Lyne + Siam Obregón
DURATION: 7:30
CO-COMMISSIONING PARTNER: Wild Mint Arts
MENTORS: Philip Szporer + Marlene Millar (Mouvement Perpétuel), Wild Mint Arts
Under the tutelage of the Moon, a rock woke up and began to dance.
Bajo la tutela de la luna, una roca despertó y se puso a bailar.
CREDITS
Director: Siam Obregón
Choreographer: Kyana Lyne
Performer: Isabel Cruz
Cinematographer: Steven Turcotte
Focus Puller : William Tétreault
Sound Recordist: Andrés Solis
Production Manager: Mérédith Gonzalez-Bayard
Sound Design : Andrés Solis
Editor: Siam Obregón
Produced by: Mouvement Perpétuel, Steven Turcotte, Siam Obregón, Kyana Lyne
Commissioned by: F-O-R-M
THANK YOU
Simran Dewan, Alexandre Nour, Michèle Bayard, and Lorianne Gonzalez-Bayard
Alger Liang 梁家傑
DURATION: 12:01
MENTORS: Nancy Lee + Ying Wang
This film contains strobe effects.
when the body is broken
and continues to walk without
pause,
it mourns for stillness.
the body makes ground
and wounds open
again and again
and again
and again.
at this moment,
somewhere in the world,
bees return to hives
birds to nests
tides to shore
and one day,
my body comes home.
A grieving boy moves through liminal spaces, queering time as he simultaneously embodies the past, present, and future.
CREDITS
Writer, Director, Producer, Performer, Editor: Alger Ji-Liang
Director, Producer, Editor, Craft Services: Joshua Lam
Choreographer, Behind-the-Scenes Videographer: Sarah Wong
Director of Photography, VFX: Shiun Okada
Background Performers: James Albers, Suyu He, Hubey Razon, Martin Yeo, Ophelia Zhao, Alexander Christopher Yeung
1st Assistant Camera: Rachel Chen
2nd Assistant Camera: Kasra Asad
Grip / LX, On-Location Sound: Osmar Wong
Behind-the-Scenes Photographers: Hubey Razon, Gloria Wong
Production Assistant: Michelle Strauss
Production Gear: Sam Lin, Rachel Chen, Brian Cheung, Sam Lin, Shiun Okada
Sound Designer, Music Composer: Veron Xio
Colourist: Patrick Gong
Editing Supervisor: Ian Tan
Foley Artist, Music Supervisor: Alger Ji-Liang
Music: motherland; written and produced by Veron Xio; courtesy of the artist
Music: Unconditional; produced by DJ Houseplants; courtesy of the artist
Rehearsal Studio Space sponsored by Gold Saucer
Production Gear sponsored by Cineworks
Catering Services sponsored by Fife Bakery (Felix Yau)
THANK YOU
Mom. Thank you for bringing me into this world and showing me love. I feel your light every day and I hope to share it with those around me as you have.
Thank you Sarah for your patience and care, Joshua for your passion and drive, and Shiun for your commitment and precision. I could not have asked for better friends, and a better team to lean into. And thank you Nancy and Ying for your generous guidance and mentorship.
Thank you Sophia, Tamar, and the F-O-R-M team for believing in me and helping me bring my vision to life and onto the screen. I am so grateful for this opportunity and for your unwavering support.
Karmella Benedito De Barros
DURATION: 2:40
Before each screening, WHOSE LAND by Karmella Benedito De Barros will welcome us into our Bodies, Breath and Spirits as we prepare to witness each program.
WHOSE LAND is a short film grounded in acknowledging the animacy and generosity of land. This film serves as a space for reflecting on our relationship to the territories we each exist alongside. Created as an invitation to uncover and hold space for our own embodied personal territory acknowledgements, this film intends to support a somatic, embodied and meaningful experience. WHOSE LAND invites us to anchor ourselves into our bodies on the land, and to ground in a humbling, personal appreciation.